<\/a>Romfilatelia, societatea specializat\u0103 \u00een emiterea \u015fi comercializarea m\u0103rcilor po\u015ftale rom\u00e2ne\u015fti, introduce \u00een circula\u0163ie emisiunea filatelic\u0103 Arti\u015fti rom\u00e2ni contemporani – Ciprian Paleologu – Proiectul Uman.<\/p>\n

Ciprian Paleologu s-a n\u0103scut la 4 august 1976, la Ploie\u015fti, unde
\na \u015fi urmat, \u00eentre anii 1990-1994, cursurile liceului teoretic \u201eMihai Viteazul\u201c. \u00cen 1999 a absolvit Universitatea de Arte Bucure\u015fti, sec\u0163ia Pictur\u0103, clasa Prof. Univ.Vasile Grigore. \u00cen anul 2005 devine doctor \u00een Arte Vizuale, specializarea Estetica Artelor Vizuale, sus\u0163in\u00e2nd teza de doctorat cu tema \u201eLumin\u0103, luminozitate \u015fi iluminare \u00een pictura de \u015fevalet\u201c, conduc\u0103tor Prof. Univ. Dr. Gheorghe Achi\u0163ei.
\n\u00centre anii 1997 \u015fi\u00a0 2006, a avut \u015fase expozi\u0163ii personale, iar \u00eentre anii 1996 \u015fi 2004, a participat la 24 de expozi\u0163ii de grup. P\u00e2n\u0103 \u00een prezent a c\u00e2\u015ftigat cinci premii pentru lucr\u0103rile sale. \u00cen anul 2005 \u00eei apare un timbru cu lucrarea \u201eMonstru 1\u201c, \u00een cadrul seriei \u201eArti\u015fti Rom\u00e2ni Contemporani\u201c, editat de Romfilatelia, unde, dintr-o eroare de machetare, numele artistului apare \u201eCristian Paleologu\u201c \u00een loc de \u201eCiprian Paleologu\u201c. Din anul 2000 este membru al Uniunii Arti\u015ftilor Plastici din Rom\u00e2nia, filiala Bucure\u015fti, sec\u0163ia Pictur\u0103.
\nDin anul 2002, devine asistent universitar la Catedra de Teorie \u015fi Cercetare, specializarea Perspectiv\u0103 \u015fi la Catedra de Pictur\u0103, Universitatea de Arte Bucure\u015fti, iar \u00een perioada 2002 – 2005 a fost profesor colaborator la Universitatea de Arhitectur\u0103\u00a0 \u201eIon Mincu\u201c – Bucure\u015fti.<\/p>\n

Proiectul Uman
\nA formula un proiect prev\u0103zut s\u0103 se desf\u0103\u015foare (secven\u0163ial) pe o perioad\u0103 foarte lung\u0103, ce dep\u0103\u015fe\u015fte \u00een mod obi\u015fnuit via\u0163a biologic\u0103 a unui individ, presupune un risc complex. \u00cens\u0103 tocmai eviden\u0163a riscului m\u0103re\u015fte exponen\u0163ial premisele pentru un rezultat nu numai spectaculos, ci \u015fi consistent conceptual.
\nUMAN este un astfel de demers, g\u00e2ndit s\u0103 se desf\u0103\u015foare pe dou\u0103 planuri. Primul domeniu se constituie ca o premis\u0103 multipl\u0103, conceput\u0103 prin mai multe demonstra\u0163ii vizuale (24 de expozi\u0163ii), denumit\u0103 OMAGIU NEPUTIN\u0162EI. Al doilea plan este rezervat concluziei, care prin \u00eens\u0103\u015fi forma demonstra\u0163iei este profund utopic\u0103. Utopia concluziei presupune construirea unui agregat de corec\u0163ie uman\u0103 numit OMODROM.
\nDin cele 24 de expuneri-premis\u0103, patru au avut loc deja \u00een spa\u0163iile unor galerii, \u00een ordine cronologic\u0103: 1.UMAN (2000); 2. DEC\u0102DEREA (2002); 3. NIL MEDIVM EST (nu exist\u0103 cale de mijloc) (2004); 4. ORIUNDE E NIC\u0102IERI (2006). Scopul primar al semnalelor intermitente ce alc\u0103tuiesc premisa proiectului este de a permanentiza cultivarea senza\u0163iei de alert\u0103, precum \u015fi activarea sentimentului de nesiguran\u0163\u0103, at\u00e2t la nivel individual c\u00e2t \u015fi colectiv. A afirma \u015fi a-\u0163i asuma complet neputin\u0163a uman\u0103, cu u\u015furin\u0163a \u015fi comoditatea tipic\u0103 colectivit\u0103\u0163ilor damnate, care datorit\u0103 acceler\u0103rii degrad\u0103rii interioare \u015fi profunde capituleaz\u0103 necondi\u0163ionat, se dovede\u015fte pragul critic \u00eentre disolu\u0163ia definitiv\u0103 \u015fi o previzibil\u0103 revigorare\u00a0 nedisimulat\u0103.
\nConstruc\u0163ia OMODROMULUI, concluzia utopic\u0103, cap\u0103t\u0103 astfel dimensiunea primordial\u0103 a salv\u0103rii. Acest edificiu de o complexitate uria\u015f\u0103 va fi \u201erealizat\u201c prin sprijinul \u015ftiin\u0163ific \u015fi tehnologic al Institutului de Cercet\u0103ri Corective (I.C.C). Rezultatul ecua\u0163iei \u00ee\u015fi p\u0103streaz\u0103 nonfunc\u0163ionalitatea (conserv\u00eendu-\u015fi caracterul utopic) prin omiterea inten\u0163ionat\u0103 din planul de construc\u0163ie a unor elemente cheie, \u00een lipsa c\u0103rora OMODROMUL (agregatul corectiv), fie r\u0103m\u00e2ne doar o miraculoas\u0103 promisiune, fie func\u0163ioneaz\u0103 \u00een parametri gre\u015fi\u0163i (dovedindu-\u015fi inutilitatea).
\nProiectul UMAN presupune, din start, o ironie existen\u0163ial\u0103 asumat\u0103 \u00een \u00eentregime, f\u0103r\u0103 de care s-ar plasa \u00een r\u00e2ndul simul\u0103rilor absurde.
\nLucr\u0103rile ce apar pe timbrele seriei \u201e Arti\u015fti rom\u00e2ni contemporani-Ciprian Paleologu-Proiectul UMAN\u201c fac parte din expozi\u0163ia NIL MEDIVM EST, desf\u0103\u015furat\u0103 \u00een anul 2004 la galeria APOLLO din Bucure\u015fti, reprezent\u00e2nd componentele de baz\u0103 ale acestei etape a proiectului.
\nCiprian Paleologu<\/p>\n

Timbrul cu valoarea nominal\u0103 de 30 Bani, reprezint\u0103 lucrarea
\nAD PERPETUAM REI MEMORIAM (Spre ve\u015fnica aducere aminte).
\nTimbrul cu valoarea nominal\u0103 de 1,50 Lei, reprezint\u0103 lucrarea\u00a0 CUI\u00a0 BONO ? (Interesul cui ?).
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Data de aparitie: 2006-11-30<\/p>\n

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