<\/a>\u00cen urm\u0103 cu o sut\u0103 de ani era \u00eenfiin\u0163at, la Bucure\u015fti, Muzeul de etnografie, art\u0103 na\u0163ional\u0103, art\u0103 decorativ\u0103 \u015fi industrial\u0103, ast\u0103zi Muzeul \u0162\u0103ranului Rom\u00e2n.\u00cen urm\u0103 cu o sut\u0103 de ani era \u00eenfiin\u0163at, la Bucure\u015fti, Muzeul de etnografie, art\u0103 na\u0163ional\u0103, art\u0103 decorativ\u0103 \u015fi industrial\u0103, ast\u0103zi Muzeul \u0162\u0103ranului Rom\u00e2n.<\/p>\nAcum, la aniversarea unui veac de existen\u0163\u0103 a muzeului, Romfilatelia, societatea specializat\u0103 \u00een editarea \u015fi comercializarea m\u0103rcilor po\u015ftale rom\u00e2ne\u015fti, introduce \u00een circula\u0163ie emisiunea filatelic\u0103 Centenarul Muzeului \u0162\u0103ranului Rom\u00e2n.<\/p>\n
Muzeul \u0162\u0103ranului Rom\u00e2n nu este un muzeu oarecare; nu este acel tip de muzeu pe care \u00eel vezi doar o dat\u0103 \u00een via\u0163\u0103 \u015fi gata, treci s\u0103 vizitezi un altul. Acest muzeu a fost creat ca, ori de c\u00e2te ori vrei s\u0103 te \u00eentorci la ob\u00e2r\u015fii, s\u0103 vizitezi s\u0103lile pline cu colec\u0163ii-tezaur din patrimoniul artei \u015fi civiliza\u0163iei \u0163\u0103r\u0103ne\u015fti.
\nCu cele peste 100.000 de obiecte, cuprinz\u00e2nd colec\u0163ii de port, ceramic\u0103, podoabe, mobilier, icoane pe lemn \u015fi sticl\u0103, xilogravuri, obiecte religioase, \u0163es\u0103turi, covoare, unelte, dar \u015fi o important\u0103 colec\u0163ie de art\u0103 popular\u0103 str\u0103in\u0103, prin modul \u00een care a fost conceput spa\u0163iul muzeal \u015fi prin organizarea a peste 60 de expozi\u0163ii de mare rezonan\u0163\u0103 cultural\u0103 pe toate meridianele lumii, Muzeul \u0162\u0103ranului Rom\u00e2n a contribuit decisiv la dezvoltarea general\u0103 a teoriei \u015fi practicii expunerii etnografice.
\nAceast\u0103 recunoa\u015ftere a venit \u00een 1996, c\u00e2nd Muzeul \u0162\u0103ranului Rom\u00e2n a primit Premiul \u201eMuzeul European al Anului\u201c (EMYA), decernat de Forumul Muzeului European.
\nPe toat\u0103 durata anului 2006, cu ocazia centenarului muzeului, toate manifest\u0103rile se desf\u0103\u015foar\u0103 sub auspiciile unui motto elocvent: Un veac de singularitate, un an de ospitalitate.
\n\u00cen luna martie a acestui an, Muzeul \u0162\u0103ranului Rom\u00e2n a primit Premiul \u201eRadu Florescu\u201c pentru management \u015fi marketing muzeal, acordat de Ministerul Culturii \u015fi Cultelor, Direc\u0163ia General\u0103 a Patrimoniului Cultural Na\u0163ional, pentru proiectul \u201eNoaptea muzeelor\u201c.
\nIstoria acestui muzeu, zbuciumat\u0103 ca \u015fi a altora ce au trebuit s\u0103 fac\u0103 fa\u0163\u0103 celor 50 de ani de for\u0163ate schimb\u0103ri politice \u015fi culturale, se \u00eentinde pe mai mult de o sut\u0103 de ani.
\n\u00cen 1875, la propunerea lui Titu Maiorescu, s-a constituit pe l\u00e2ng\u0103 Muzeul Na\u0163ional de Antichit\u0103\u0163i, cea dint\u00e2i sec\u0163iune de art\u0103 popular\u0103 textil\u0103.
\nAceast\u0103 idee de \u00eenceput va prinde consisten\u0163\u0103 \u00eens\u0103 la 1 octombrie 1906, c\u00e2nd cu spijinul unei alte personalit\u0103\u0163i a culturii noastre, Spiru Haret, se \u00eenfiin\u0163eaz\u0103 Muzeul de etnografie, art\u0103 na\u0163ional\u0103, art\u0103 decorativ\u0103 \u015fi industrial\u0103.
\nConducerea acestei institu\u0163ii a fost asigurat\u0103 \u00eentre 1906 \u015fi 1948, de primul s\u0103u director, Alexandru Tzigara-Samurca\u015f, care \u00een 1906 i-a schimbat denumirea \u00een Muzeul de Etnografie \u015fi Art\u0103 Na\u0163ional\u0103.
\n\u00cen 1912 \u00eencepe construc\u0163ia cl\u0103dirii muzelui, construc\u0163ie ce va dura p\u00e2n\u0103 \u00een 1941. Cl\u0103direa, realizat\u0103 \u00een a\u015fa numitul stil neorom\u00e2nesc, de fapt o sintez\u0103 arhitectonic\u0103 na\u0163ional-istoric\u0103, este opera arhitectului N. Ghika-Bude\u015fti.
\n\u00centre anii 1912-1948, muzeul a fost denumit Muzeul de Art\u0103 Na\u0163ional\u0103, apoi denumirea sa suferind nenum\u0103rate schimb\u0103ri, astfel c\u0103 \u00een 1953 el devine Muzeul de Art\u0103 Popular\u0103 al Republicii, iar din 1978 \u015fi p\u00e2n\u0103 \u00een 1990, prin comasarea cu Muzeul Satului, prime\u015fte denumirea de Muzeul Satului \u015fi de Art\u0103 Popular\u0103. \u00cen sf\u00e2r\u015fit, \u00een 1990, devine Muzeul \u0162\u0103ranului Rom\u00e2n.
\nModul \u00een care se prezint\u0103 vizitatorului Muzeul \u0162\u0103ranului Rom\u00e2n este o alegorie a vie\u0163ii, este mereu \u00eentoarcerea la r\u0103d\u0103cini, f\u0103r\u0103 de care un popor, o na\u0163iune, nu ar putea supravie\u0163ui.
\nSpiritualitatea rom\u00e2neasc\u0103 se reg\u0103se\u015fte nealterat\u0103 \u00een acest spa\u0163iu muzeal, unde prejudec\u0103\u0163ile dispar \u015fi las\u0103 loc revela\u0163iei.<\/p>\n
Timbrele emisiunii filatelice reprezint\u0103:
\n– imaginea unei marame din Arge\u015f, din sec. XX (timbrul cu valoarea nominal\u0103 de 40 Bani)
\n– imaginea unui cordon turcesc din Dobrogea, din sec. XIX (timbrul cu valoarea nominal\u0103 de 70 Bani)
\n– imaginea unei salbe cu bani din Bucovina, din sec. XIX (timbrul cu valoarea nominal\u0103 de 1,60 Lei)
\n– imaginea lui Alexandru Tzigara-Samurca\u015f, director fondator al muzeului (timbrul cu valoarea nominal\u0103 de 3,10 Lei).<\/p>\n
Imaginile reproduse pe timbre fac parte din colec\u0163ia centenar\u0103 a Muzeului \u0162\u0103ranului Rom\u00e2n.<\/p>\n
Data de aparitie: 2006-10-05<\/p>\n","protected":false},"excerpt":{"rendered":"
\u00cen urm\u0103 cu o sut\u0103 de ani era \u00eenfiin\u0163at, la Bucure\u015fti, Muzeul de etnografie, art\u0103 na\u0163ional\u0103, art\u0103 decorativ\u0103 \u015fi industrial\u0103, […]<\/p>\n","protected":false},"featured_media":2051474,"template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}}},"product_cat":[2664,2618],"product_tag":[],"class_list":{"0":"post-2051473","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-2664","7":"product_cat-colectii-anuale","8":"desktop-align-left","9":"tablet-align-left","10":"mobile-align-left","12":"first","13":"instock","14":"taxable","15":"shipping-taxable","16":"product-type-grouped","17":"add-to-wishlist-before_image"},"_links":{"self":[{"href":"https:\/\/romfilatelia.ro\/romagazin\/index.php?rest_route=\/wp\/v2\/product\/2051473"}],"collection":[{"href":"https:\/\/romfilatelia.ro\/romagazin\/index.php?rest_route=\/wp\/v2\/product"}],"about":[{"href":"https:\/\/romfilatelia.ro\/romagazin\/index.php?rest_route=\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/romfilatelia.ro\/romagazin\/index.php?rest_route=\/wp\/v2\/media\/2051474"}],"wp:attachment":[{"href":"https:\/\/romfilatelia.ro\/romagazin\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2051473"}],"wp:term":[{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/romfilatelia.ro\/romagazin\/index.php?rest_route=%2Fwp%2Fv2%2Fproduct_cat&post=2051473"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/romfilatelia.ro\/romagazin\/index.php?rest_route=%2Fwp%2Fv2%2Fproduct_tag&post=2051473"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}