<\/a>\u00cen dorin\u0163a de a promova una dintre cele mai reprezentative construc\u0163ii ale secolului al XIX-lea din Bucure\u015fti, prezen\u0163\u00e3 care exprim\u00e3 cu claritate at\u00e2t stilul arhitectural al timpului, c\u00e2t \u015fi prestigiul B\u00e3ncii Na\u0163ionale a Rom\u00e2niei, Romfilatelia<\/strong> introduce \u00een circula\u0163ie emisiunea Arhitectur\u00e3, Palatul B\u00e3ncii Na\u0163ionale a Rom\u00e2niei<\/em><\/strong>, a c\u00e3rei serie de 4 timbre po\u015ftale reproduce imagini ale exteriorului \u015fi interiorului Palatului BNR din strada Lipscani.<\/p>\n

Banca Na\u0163ional\u00e3 a Rom\u00e2niei, institu\u0163ie de credit care a de\u0163inut \u00eenc\u00e3 de la crearea sa privilegiul exclusiv al emisiunii de bancnote, a luat fiin\u0163\u00e3 la 17\/29 aprilie 1880. Importan\u0163a economic\u00e3 \u015fi social\u00e3 a activit\u00e3\u0163ii desf\u00e3\u015furate de c\u00e3tre Banca Na\u0163ional\u00e3 a Rom\u00e2niei reclama existen\u0163a unui local propriu, care s\u00e3 \u00eei defineasc\u00e3 \u015fi s\u00e3 \u00eei exprime identitatea \u00eentr-o manier\u00e3 puternic\u00e3 \u015fi de neconfundat. Astfel, \u00een perioada 1884-1889, \u00een inima zonei comerciale a Bucure\u015ftiului, delimitat\u00e3 de str\u00e3zile Lipscani, Sm\u00e2rdan, Karageorgevici \u015fi Doamnei, pe locul celui mai mare han din istoria ora\u015fului, hanul \u0218erban Vod\u00e3, a fost construit Palatul B\u00e3ncii Na\u0163ionale a Rom\u00e2niei.<\/p>\n

Proiectul de arhitectur\u00e3 a fost \u00eencredin\u0163at arhitec\u0163ilor francezi Marie-Joseph Cassien Bernard \u015fi Albert Galleron, iar lucr\u00e3rile de construc\u0163ie \u015fi amenaj\u00e3rile interioare au fost conduse de arhitec\u0163ii Nicolae Cerchez \u015fi Constantin B\u00e3icoianu \u015fi supravegheate, \u00een numele Consiliului de administra\u0163iei al b\u00e3ncii, de c\u00e3tre Eugeniu Carada, director al institu\u0163iei, personalitate remarcabil\u00e3 a vremii, unul dintre \u00eentemeietorii Rom\u00e2niei moderne.<\/p>\n

Pe timbrul cu valoarea nominal\u00e3 de 3,10 lei<\/strong> este reprezentat Palatul B\u00e3ncii Na\u0163ionale a Rom\u00e2niei<\/em><\/strong>, respectiv fa\u0163ada principal\u00e3 \u015fi cea de vest. Arhitectura edificiului, caracterizat\u00e3 de monumentalitate \u015fi de o puternic\u00e3 for\u0163\u00e3 expresiv\u00e3, este subordonat\u00e3 principiilor stilului eclectic de factur\u00e3 academic\u00e3. Aceasta preia multiple elemente din arhitectura Rena\u015fterii \u015fi a Clasicismului francez \u015fi se distinge prin armonia propor\u0163iilor, echilibrul volumelor \u015fi o ornamenta\u0163ie specific\u00e3 arhitecturii edificiilor publice europene ale epocii.<\/p>\n

Pe timbrul cu valoarea nominal\u00e3 de 3,60 lei<\/strong> este reprezentat\u00e3 Sala de marmur\u00e3<\/em><\/strong>, vechea Sal\u00e3 a ghi\u015feelor, care ast\u00e3zi ad\u00e3poste\u015fte Muzeul BNR. Spa\u0163iul este dezvoltat pe dou\u00e3 niveluri. La parter, spa\u0163iul central este \u00eenconjurat pe trei laturi de o galerie continu\u00e3, rezervat\u00e3, \u00een epoc\u00e3, ariei de lucru a func\u0163ionarilor b\u00e3ncii. Aceasta era separat\u00e3 de zona central\u00e3, destinat\u00e3 publicului, prin intermediul unor ghi\u015fee din lemn. \u00cen registrul superior al s\u00e3lii, se reg\u00e3se\u015fte o succesiune de goluri \u015fi coloane duble. Deasupra corni\u015fei, sala este decorat\u00e3 cu o serie de ornamente vegetale \u015fi figurative care fac trimitere la mitologia clasic\u00e3.<\/p>\n

Pe timbrul cu valoarea nominal\u00e3 de 4,50 lei<\/strong> este reprezentat Holul central<\/em><\/strong> de la parterul Palatului BNR. Rolul acestuia este unul de distribu\u0163ie, f\u00e3c\u00e2nd trecerea \u00eentre intrarea principal\u00e3 \u015fi Sala de marmur\u00e3 \u015fi constituind punctul de pornire al celor dou\u00e3 sc\u00e3ri monumentale spre spa\u0163iile de reprezentare ale cl\u00e3dirii de la etajul I.<\/p>\n

Pe timbrul cu valoarea nominal\u00e3 de 4,70 lei<\/strong> este reprezentat\u00e3 una dintre cele dou\u00e3 Sc\u00e3ri monumentale<\/em><\/strong>, plasate simetric \u00een raport cu axa longitudinal\u00e3 a construc\u0163iei, care asigur\u00e3 accesul la etajul I al cl\u00e3dirii. Sc\u00e3rile pornesc de la parter, din holul central, \u00eentr-o singur\u00e3 ramp\u00e3, p\u00e2n\u00e3 la podestul intermediar, de unde se continu\u00e3 spre etajul I cu alte dou\u00e3 rampe, de o parte \u015fi de alta a primelor, delimitate la interior de balustrade de marmur\u00e3.<\/p>\n

Aducem mul\u0163umiri conducerii B\u00e3ncii Na\u0163ionale a Rom\u00e2niei pentru sprijinul acordat la realizarea acestei emisiuni de timbre po\u015ftale. <\/em><\/strong><\/p>\n

 <\/p>\n

Data Aparitie:2013-04-17<\/p>\n

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